CISMA 2027 Opens Up a New Exhibition Landscape
Release Time:
2026-07-30 11:22
In recent years, CISMA has continued to grow in scale, reflecting not only the continuous expansion of the sewing industry value chain, but also the increasing diversity and specialization of products across all exhibition sectors. Although the exhibition layout has been continuously optimized over the years, space constraints have remained a challenge. Following several rounds of planning and extensive evaluation, the floor plan for CISMA 2027 has now been finalized, bringing visitors a refreshing new exhibition layout.

For the first time, CISMA 2027 will utilize a total of 15 exhibition halls—W1–W5, E1–E5, and N1–N5—together with three entrance halls located at the South, North, and East. This new arrangement will maximize the optimization of exhibit distribution, visitor traffic flow, and venue access, creating a more efficient and convenient exhibition experience for both exhibitors and visitors.
The exhibition layout will continue to be organized primarily by product category. W1–W5 will mainly feature sewing machines and will extend into parts of N1 and even N2. Closely connected to this area, the remaining sections of N2 together with N3 will showcase functional sewing machine components and accessories. N4 and N5 will primarily feature embroidery and printing equipment, while E1–E5 will be dedicated to sewing equipment and integrated solutions. These category divisions provide the overall framework for the exhibition; however, the final placement of individual exhibitors and products may be adjusted according to actual application and booth allocation. As the application scope of sewing equipment continues to expand, new products and manufacturing technologies are also expected to become part of the exhibition.
Supporting plans and related organizational arrangements are currently being developed and refined. We will continue to share the latest updates on the progress of CISMA 2027 and its various initiatives in a timely manner.
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